In Transfer of Attention a crumbling handmade facsimile of a golden beet is held against the sky in place of and in opposition to the sun. Over the course of the video I use my hands as surrogates for the viewers desire to touch and understand a distant object, investigating the slowly disintegrating calcium carbonate sun until nothing remains but the traces of yellow dust. In this video and my practice in general I am interested in investigating the space between what your mind can fathom and what your body can perceive and produce, the distance between the feeling of a rock and the knowledge of a mountain. Placing my hands directly on the objects is a small effort to close the gap between the viewer and the vastly unattainable, and yet there still remains distance as the objects are obscured from the viewers eye by the act of touching itself. In Transfer of Attention the object is completely worn away, disappeared by the act of attempting to gain information through touch, only to reappear again and again, a slightly different form against a slightly different sky. – RS
Author: tv@acreresidency.org
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“Cicadas in the Sun” Jean-Michel Rolland
Despite the oppressive heat of the late afternoon on the hills of Marseille, the cicadas keep on singing. The overexposed video, burnt by the bite of the sun, reveals mixtures of unreal colors that meets the distorted cicadas melody. – JMR
Airing throughout the High Noon program, April 19-May 10, 2015
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“Untitled (white)” Max Grey
New York, Summer 2014
Airing throughout the High Noon program, April 19-May 10, 2015
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“Optick I: blinded” Thomas Dexter
A small video camera is slowly destroyed by focused sunlight, reenacting / interpreting one of Isaac Newton’s early investigations into the nature of light and visual perception.
Isaac Newton – in an undated letter to John Locke:The manner was this. I looked a very little while upon ye sun in a looking glass wth my right eye & then turned my eyes into a dark corner of my chamber & winked to observe the impression made & the circles of colours wch encompassed it & how they decayed by degrees & at last vanished. in a few hours time I had brought my eys to such a pass that I could look upon no bright object with either eye but I saw ye sun before me, so that I durst neither write nor read but to recover ye use of my eyes shut myself up in my chamber made dark for three days together & used all means to divert my imagination from ye Sun. But now I have been very well for many years, tho I am apt to think that if I durst venture my eyes I could still make ye phantasm return by the power of my fansy. –TD
Airing throughout the High Noon program, April 19-May 10, 2015
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“The End Sands” Aaron Oldenburg
A videogame: Avoid the sun during the day. At night collect the burnt bodies of other creatures for food. 3D textures are made with cyanotypes, images rendered through the sun’s UV rays. – AO
Airing throughout the High Noon program, April 19-May 10, 2015
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“Azimuth” and “Zombie Bling” Dana Carter
Zombie Bling
Fabric scrims, sunlight and snowlight commingle as a process of rhythmic cutwork and stop motion animation conjure up the well known SMPTE test card pattern. As the angle of the sun shifts the everyday color stripes are entangled into a hypnotic, ritualistic signal test that takes over the screen. The second of three chapters, Aurora, Azimuth, and Arrhythmia.
Airing throughout the High Noon program, April 19-May 10, 2015
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“Short” Robert Todd
Light sleeps and rises, and sleeps again along the shoreline of day. Dramatic winkings to the surprising glory of summer. – RT
Airing throughout the High Noon program, April 19-May 10, 2015
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“luminiferous aether” Amy Hicks
Luminiferous Aether is titled after the 18th-19th century hypothesis that the Earth moves through a medium of aether that propagates light. Through a combination of animation and live video, I collage electronic pigment, archival images, sourced sound, and video footage in order to make visible the illusive orgone energy psychoanalyst Wilhelm Reich saw when he looked skyward.
I began this project when I saw a photograph of an FDA official modeling the use of an orgone shooter, blanket, and hat in Cabinet Magazine. The photograph, dating from 1956, accompanied Christopher Turner’s article on the cultural significance of Wilhelm Reich’s legacy. In 2012 I traveled to Orgonon, Maine searching the sky for answers to ideological questions. I followed the footsteps of Wilhelm Reich, Dusan Makavejev, Kate Bush, William Burroughs, and fellow curious travelers. So began my journey, waxing on unintended consequences, irrational beliefs, natural phenomena, and the wonder of error. – AH
Airing throughout the High Noon program, April 19-May 10, 2015
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“The Take-Up” Patrick Tarrant
The Take-Up consists of one take, a fixed frame, variable speed flicker effect, and just a single sound edit. For all this, the film unspools an audio-visual mystery that looks at digital video anew, and at celluloid sideways. This dark puzzle mixes documentary didacticism and mechanical movie magic to reveal the wonder that lies dormant in a mundane street scene. – PT
Airing throughout the High Noon program, April 19-May 10, 2015