Light sleeps and rises, and sleeps again along the shoreline of day. Dramatic winkings to the surprising glory of summer. – RT www.roberttoddfilms.com Airing throughout the High Noon program, April 19-May 10,
“luminiferous aether” Amy Hicks
Luminiferous Aether is titled after the 18th-19th century hypothesis that the Earth moves through a medium of aether that propagates light. Through a combination of animation and live video, I collage electronic pigment, archival
” A Bao A Qu” John Szczepaniak
Airing throughout the High Noon program, April 19-May 10,
“The Take-Up” Patrick Tarrant
The Take-Up consists of one take, a fixed frame, variable speed flicker effect, and just a single sound edit. For all this, the film unspools an audio-visual mystery that looks at digital video anew, and
“into the sun” jason judd
jasonajudd.com Airing throughout the High Noon program, April 19-May 10,
“Emotional Sundiving” Tony Balko
Emotional Sundiving considers the New Age as a path toward total fulfillment. The sun’s rays are transmuted into the substances of life through the power of belief. – TB tonybalko.com Airing throughout the High Noon program, April 19-May 10,
“Pilgrimage” Karen Y. Chan
Is it a window into the cosmos or the mind of a wanderer? It is in fact the sun’s reflection, still and flickering, on the surface of a dark lake. The light dances and skips as
“Nature Gaping” Meredith Lackey
Excerpted from a larger work concerning fiber optic technology in South Africa, Nature Gaping exposes fugitive infrastructure hidden among the trees. Throwback audio from the 80s miniseries Shaka Zulu leads to a moment of
“A Brief Portrait of the The Eternal Recurrence” Karl Lind
“Everything becomes and recurs eternally – escape is impossible!” – Friedrich Nietzche karllindfilms.com Airing throughout the High Noon program, April 19-May 10,
“A Poem For You” Eden Mitsenmacher
A Poem For You A young man is reading, apologetically, the poem Words Wide Night to the artist. It’s a fairly old fashioned gesture. He confesses he has fallen for her. It’s almost a passage from