Sidewalk, 1975, 13:04-minute video “Like Walking SoHo, Sidewalk tracks along a section of a SoHo street. The camera follows the point where the sidewalk meets the buildings, panning in a strange, jilted movement. It is
“Power / Point” and “Screensaver” Adam Castle
Power / Point In this short video essay exploring the sculptural potential of digital space, the physical body and the computer cursor collide in a struggle to manipulate each other. Incorporating actions within Microsoft PowerPoint,
“Practical Preparedness” Ellen Mueller
This series of videos explores preparedness in our society, in addition to the everyday challenge of resisting change and maintaining control. It examines fear generated by a world of non-stop technological development, global climate
Direct Object/Direct Action
ACRE TV is pleased to present: Direct Object/Direct Action February 1 – March 31, 2015* Threewalls and online at ACRETV.org Opening Reception: January 23, 2015, 6-9 pm 119 N. Peoria, #2C Direct Object/Direct Action LIVE February 27, 2015, 7 pm Threewalls Television
“Notes for a Vivisection” Kera MacKenzie and Andrew Mausert-Mooney
A live performance in person for P.3+ as part of Prospect.3: Notes for Now (P.3), January 10, 2015, 4 pm at the Hammond Regional Arts Center. Broadcast LIVE simultaneously on ACRE
“Printer’s Rainbow” Traci Hercher
This project is comprised of the patterns created by a photographic printer at times when its heads were clogged. Scans of the Cyan, Magenta, Yellow, and Black imagery have been assembled into a Printer’s
“Teen Agents” Marianna Milhorat, Michael Rae and Charity Coleman
Teen Agents A continually recombinant week-long broadcast by Marianna Milhorat (images), Michael Rae (sounds), Charity Coleman (texts) with Jon Chambers (software) and Jesse Malmed (instigation). mariannamilhorat.com jonchambers.net jessemalmed.net Airing December 20 – 26,
“Other Options” Samuel Hertz and Maryanna Lachman
Other Options is an extensible performance and installation environment that models organic phenomena and the steady reclamation of objects by nature. It represents a chaotic state in which every discrete object or instance has a
“CrumBarf” Jon Satrom
CrumBarf mangles the cookie crumbs you leave behind after your digital excursions. By hunting down and hastily chewing up your browser’s image caches and barfing them into video RAM, CrumBarf is constantly d/evolving as
“What’s the Frequency, Kenneth?” Tom Burtonwood
Watching a 3d printer at work elicits a hypnotic response amongst people. Drawn to the alchemical event in front of them their gaze is transfixed on these objects seemingly appearing from nowhere. For Acre