A visual poem exploring the beaded interstices of nature. – AR andrewrosinski.com Airing throughout the Sunrise program, April 1-19,
“Brokenflo” Patrick Tarrant
Brokenflo is an intermittent serial portrait that explores the rhythm and deep structure of cyclists involved in their daily commute. People emerge over time from their collective, soft-focus anonymity and fleetingly present themselves for this long-lens
“So this is what you do with your time off” Chris Rice
Sometimes the only thing you need is right outside your window. – CR vimeo.com/chrisrice Airing throughout the Sunrise program, April 1-19,
“Light and shadows 6” Andrew Payne
Light and shadows 6 is a film recording the changing light and shadows on the walls of a room as the sun sets. It is a silent, time-lapse film that captures the movement and
“Myths” Karen Y. Chan
An abstract representation of the sun created by a video of ocean water on a beach. There is a subtle energy contained in its geometric form that appears to be alive and breathing. It is a
“Rise & Fall (Beijing)” Kate Casanova
In the performance for video, Rise & Fall (Beijing), the artist, Kate Casanova, lies on the ground with a camera held to her chest. The image of the sun rises and falls with her breathing,
“sin título (abril)” Pablo Marin
A layered attempt at daily life: home, clouds, and the river in the background. – PM vimeo.com/user2758835 Airing throughout the Sunrise program, April 1-19,
“Megurs Ehd Ffleweh Bq Nsolst” Charles Woodman and Christopher Bailey
An ecstatic chant greets the rising of the sun. Sound and image are juxtaposed and find moments of synchronicity, while remaining parallel and separate. Time rushes forward slowly. Narrative is everything and nothing. – CW |
“Greetings to the Ancestors” Ben Russell
Set between Swaziland and South Africa, in a region still struggling with the divisions produced by an apartheid government, Greetings to the Ancestors documents the dream lives of the territory’s inhabitants as the borders
Art in America: Atlas Chicago Stability and Flux
Art in America, April 2015 cover. In an Art in America article about Chicago’s galleries and alternative spaces Michelle Grabner wrote: “Complementing its commercial venues, Chicago has a handful of small, not-for-profit spaces that give mettle to