1 min iPhone videos
“You and I watch me in a process of improvising hand movements/dances. A series of meditations performed on lunch break and captured with the front-facing camera of an iPhone in the bathroom at my office.” -DN
1 min iPhone videos
“You and I watch me in a process of improvising hand movements/dances. A series of meditations performed on lunch break and captured with the front-facing camera of an iPhone in the bathroom at my office.” -DN
Episode 1: July 3, 2014
Danny catches up with the ever-amazing Dado as she talks about her life on the stage, sculptural epiphanies, and her upcoming MFA thesis show.
http://dadosite.com/
https://dova.uchicago.edu/
http://arts.uchicago.edu/logan/gallery
“Funeral for Ortolan”
Logan Center Gallery and Grey Center Lab
Exhibition Dates: April 11 — May 9, 2014
Reception — Saturday, April 12, 2014 at 6pm
Performance by Dado – TBD
Artists:
Dado, Danny Volk, Tucker Rae Grant, Jinn Bronwen Lee, Ramyar Vala
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Created and hosted by: Danny Volk
Produced by: Danny Volk, Stephanie Anne Harris Trevor
Cameras: Bryce Peppers, Valia O’Donnell
Technical consultant: Ben Chandler
MUwDV theme music:
“Comic Strip” by Serge Gainsbourg remixed by DJ Flashcookie
http://www.loveismylene.com/
https://soundcloud.com/flashcookie
Episode 2: July 10, 2014
Richard sits down and shares with Danny his fear of commitment, secret love of make-up, and a bit of whisky.
http://culturehall.com/richard_williamson
http://ttttterminal.biz/
https://dova.uchicago.edu/
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Created and hosted by: Danny Volk
Produced by: Danny Volk, Stephanie Anne Harris Trevor
Cameras: Bryce Peppers, Valia O’Donnell
Technical consultant: Ben Chandler
MUwDV theme music:
“Comic Strip” by Serge Gainsbourg remixed by DJ Flashcookie
http://www.loveismylene.com/
https://soundcloud.com/flashcookie
Episode 3: July 17, 2014
Zachary Harvey has a lot to teach us: fur-sonas, duck-face peace-signs, poking at paintings? What’s THIS guy?!
Check out the inaugural exhibition, Open Relationship, curated by Danny Volk at Zachary’s new space, The Honey Hole.
https://www.facebook.com/events/1433093003600940/
http://spectiveretro.com/
http://instagram.com/duckfacepeacesign
https://www.facebook.com/TheHoneyHoleChicago
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Created and hosted by: Danny Volk
Produced by: Danny Volk, Stephanie Anne Harris Trevor
Cameras: Bryce Peppers, Valia O’Donnell
Technical consultant: Ben Chandler
MUwDV theme music:
“Comic Strip” by Serge Gainsbourg remixed by DJ Flashcookie
http://www.loveismylene.com/
https://soundcloud.com/flashcookie
Episode 4: July 24, 2014
Scott Wolniak talks with Danny about his process, turning garage galleries into studios, and fruit murder.
See his show at Valerie Carberry now through May 31st and be sure to check out the newly available archive from his 1999-2004 alternative exhibition space, Suitable Gallery.
http://scottwolniak.com
http://suitablearchive.com/
http://vimeo.com/scottwolniak/videos
http://valeriecarberry.com/wolniak-fields.php
Scott Wolniak is a multidisciplinary artist who’s work in drawing, painting, sculpture and video explores ontological questions rooted in everyday life. Labor intensive craft and humble materials are utilized, along with a combination of manual and automated techniques, to create hybrid forms that blur distinctions between found and made. Recent projects have explored the relationship of damage and beauty, with on-going themes such as humor and the sublime, nature, geology, phenomenology, metaphysics, the apocalypse and relentless positivity.
Wolniak has exhibited at the Museum of Contemporary Art, Chicago; the Art Institute of Chicago, Chicago Cultural Center; Hyde Park Art Center, Valerie Carberry Gallery, Spencer Brownstone Gallery, Peres Projects, Andrew Rafacz Gallery, 65Grand, and Judith Racht Gallery, among others. His work has been reviewed in ArtForum, Art in America and Art News, and featured in New American Paintings.
Wolniak received a BFA from the School of the Art Institute of Chicago in 1995, and MFA from the School of Art and Architecture, University of Illinois at Chicago in 2002. He recently received the Janel M. Mueller Award for Excellence in Pedagogy.
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Created and hosted by: Danny Volk
Produced by: Danny Volk, Stephanie Anne Harris Trevor
Cameras: Bryce Peppers, Valia O’Donnell
Audio: Bryce Peppers
MUwDV theme music:
“Comic Strip” by Serge Gainsbourg remixed by DJ Flashcookie
http://www.loveismylene.com/
https://soundcloud.com/flashcookie
Episode 5: July 31, 2014
An American Flag is used as a drop-cloth to catch the blood oozing off Danny’s face, Anais assigns her students manual labor, and whiskey.
http://www.johallaprojects.com/if-i-had-my-life
https://dova.uchicago.edu/
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Created and hosted by: Danny Volk
Produced by: Danny Volk, Stephanie Anne Harris Trevor
Cameras: Zoe Petticord and Nicole Cherry
Technical consultant: Ben Chandler
MUwDV theme music:
“Comic Strip” by Serge Gainsbourg remixed by DJ Flashcookie
http://www.loveismylene.com/
https://soundcloud.com/flashcookie
The producer of Coma Club presents: Oral Tradition Tele-Vision episode one “The Initiation” starring Jason Martin.
Oral Tradition Tele-Vision is a public access program that explores narrative, perception and internal mythologies and psychic manifestations.
Guests on the show retell an episode of something they have seen on television, the emerging details and thematic focuses or omissions serve to illuminate the individual’s unique filter, the narrator’s perception of external reality, and how their idea of self operates within that construct. Some of the selves or facets of self that reflect, filter and manipulate this material are shown as psychic manifestations or actualized internal characters and personal archetypes.
Oral Tradition Tele-Vision seeks to activate deep levels of interpersonal connection and self-exploration through the act of sharing stories while utilizing a broadcast medium that contains this potential but is often more equated with consumerist escapism and alienation.
Submissions Encouraged!
Send to: Jamie.Mohr at mail.sit.edu
Natural History Curiosity. iPhone video. 2014.
Los Angeles Natural History Museum collection: one of the largest natural crystal balls in the world…whatever that means. I appreciate it’s strategic placement before a threshold – it suggests that the exhibition designers anticipated compulsive iPhone videos.
Control is a video shot through the lens with the idea that society is moving deeper into a digital age. I collected footage of various urban landscapes in major U.S. cities and processed them through a visual programming language. The light in the video is generated through a filter which reduces the light into color pixels. The light pixels are then filtered through a program which generates the sound. Therefore, you hear what you see. Control aims to make the viewer present in the moment yet also hopes to hypnotize them under mass media’s spell.
www.saracondo.com
saracondo at gmail dot com
Traverse through familiar terrain with pop-up clowns and boats, with hot dogs, fans and grids. Duration makes space. Call it breathing room.
Here time collects like aggregate data and is metered by the sound of my feet. Jumping jacks discharge excess adrenaline.
Daniel told me this video points to what is missing and that he teared up around the four-minute marker. Nothing is really happening then.
http://work.amandaelisebowles.com/
Means and Ends, 5 min, bw, silent
Static typewritten marks intertwine through a shifting frame of view along the axis of a page. In this simple movement, contours dissolve as one point is dragged into another, forming crooked variations of line and brief glimpses of optical illusion.
I always found station identifications and PSAs to be my favorite bits of television. This is the… falls somewhere in between. It doesn’t say a whole lot, doesn’t ask a whole lot, it just is what it is and thats a Brundle fly tele-pod, a direct beam from my new age kid brains through the bionic Google peehole into the primordial mud, marrow, and majik. ?!?
Dan’s internet crib: www.danzodanzo.com
Dan’s internet mailbox: dang.olsen@gmail.com
The flight patterns of birds in the sky are preserved in real time. As much an attempt to concretize a fleeting moment as it is an effort to stretch the echo of the birds within space/time, Pluma uses the little creatures to question the delineation between chance and history.
In the winter of 1970 a fragment of a film was discovered in a warehouse on the Hudson River in New York. The film shows fleeting black and white images of what appears to be a small, blonde female with the head of a movie starlet and the body of an ape. This fragment has generated a great deal of controversy. Is it documentary footage, a hoax, or a piece of lost fiction? The ensuing years have produced much evidence in support of conflicting theories, as well as speculation about the nature and location of this creature. Many people believe that she is the love child of Fay Wray and King Kong, living invisibly among us, in solitude, and that she is an artist or a poet. Some believe she is a sign of The End or of The Beginning; perhaps even the second coming of a new Christ. Some say she is just a poor freak, a sad accident escaped from a Soviet laboratory…. Some say she doesn’t exist at all. A number of letters believed to have been written by this creature surfaced not long after the discovery of the footage. Those letters were signed “I, Daughter Of Kong.” Since the discovery of the letters we at the center have referred to her by this name.
The I, Daughter Of Kong Center For Research was founded in Rio Vista, California in 1978. At IDOKCFR we are devoted to education and research pertaining to I, Daughter Of Kong.