Author: tv@acreresidency.org

  • “Untitled (I Have a Boyfriend)” Jillian Hansen-Lewis & Alejandro Jimenez

    ScreenshotIHaveAboyfriend

    Mimicking the aesthetics of a screen saver, this video demonstrates the appearance of abandoned media through connecting an idle screen to the potential actions of the body behind. This piece explores idleness, authorship, gender, and possession. An excited inertia trapped on the confines of the video screen.

    Jill & Alejandro:
    Jillian Hansen-Lewis and Alejandro Jimenez are a working collaborative based in Chicago.  They read Virilio while having lunch, and watch Beavis and Butthead after dinner.  Their work assesses the value language inherits from its author and reader, by obfuscating the authorship and readership into one vehicle. We’ll see where that goes.

    Websites:
    Jillian Hansen-Lewis
    Alejandro Jimenez

    Airing as part of These Streams Shorts Program:

    Daily July 1-August 31, 7-10pm

  • “Mom, What the !^#% is Spotify?” Chris Little

    spotifyIMAGE

    I think of streams as “streaming”. Streaming music online. Right now I am streaming Sgt. Pepper on YouTube, because Spotify doesn’t offer it. I want to create a radio for TV show that is me playing my favorite records. Sometimes thematic sometimes not. Have you ever searched YouTube for a song and all you found was a video that is simply the record spinning on a turntable? They remind me of .GIFs but with audio.

    www.thisischrislittle.com

    Airing as part of These Streams Shorts Program:

    Daily July 1-August 31, 7-10pm

    New episodes each week

  • “Station Breaks” Brett Balogh

    these_streams_cover_photo
    Station Breaks is a series of three live, 13-minute broadcasts that draws attention to the continued presence of the analog broadcast TV channels despite the move away from analog television as a communications medium in 2009 and the proliferation of internet-based media. This project is not an attempt to memorialize or wax nostalgic about the days of analog TV, but to remind the public that these communication channels still do exist, whether or not they are actually being used. Each broadcast will be a live feed from a black-and-white analog TV receiver inside the artist’s studio. No content will be produced for or transmitted to this receiver, but rather the noise of the empty channels will serve as signal. Without the presence of a constructed signal, naturally-occurring and artificially-produced electromagnetic phenomena come to play in these clear channels, inviting variations in the visual and sonic fields of the receiver. The sum of the durations of each broadcast equal the average duration of program content present in an hour of prime-time programming.

    brettianbalogh.tumblr.com

    Airing:

    July 1, 8 & 15, 2014, 12-12:13pm

  • “CA-PAN” Chaz Evans

    capanLogo

    CA-PAN (Convergence Art Public Affairs Network)

    In the model of C-SPAN, the Cable-Satellite Public Affairs Network that documents and broadcasts the goings on of governmental spaces for public edification, CA-PAN documents and broadcasts the goings on of museums, galleries, and other spaces of art exhibition and display. With the same mandate as any public affairs network, events documented are not paired with commercial interruption, musical underscores, or superfluous editing in order to deliver undifferentiated information to the art public. Events covered by CA-PAN are as formal as panel discussions, banal as a single camera recording a single static artwork in a gallery for hours, or as informal as a raucous dance party.

    chazevans.net

    Airing Daily July 1-August 31, 8am-7pm

     

  • “Select Recordings” Paul Dickinson

    boundarywaters

    Airing nightly July 1-August 31, 9:15pm-8am

     

    Episode 1: “Night of the Whippoorwills” July 1-7

    I make long duration soundscape recordings in wilderness areas of the upper midwest.
    In the context of the annual Midwest Nature Recordist Campout, I found a location on Cranberry Dike Road, in the Crex Meadows Wildlife Refuge. There was a frog pond full of Eastern Grey Tree Frogs nearby, and relatively fresh bear tracks in the sand on the trail. I was hoping to get a recording of one of the local wolf packs that my friend Rich Peet (who is an expert on all of the wildlife in Crex Meadows) had told me about. I set up a 4-channel recording rig to run from 8:00 PM until 6:30 AM the next day. Instead of recording wolves, I placed my recording gear in the midst of a territorial dispute between 2 male whippoorwills.

    This recording is presented in real time, without edits or filtering, and with minimal dynamic processing to prevent clipping

    Location:
    Cranberry Dike Road
    Crex Meadows Wildlife Refuge
    Grantsburg, Wisconsin
    May 25-26, 2012
    10:36 pm – 8:02 am
    N45 52.483 W92 38.185
    Total run time: 08:03:11
    ©2012 Paul Dickinson

    Episode 2: “A Thunderstorm in Real Time, Though Not Necessarily ‘Live” July 8-14

    Screen Shot 2014-07-06 at 9.41.20 PM 
    A late spring Sunday evening in northwestern Wisconsin. The weather’s been wet for the last few days, and the day’s major deluge has already occurred. But there’s much more to come- the frogs know it, and are all too eager to partake. The other residents of the forest and marsh have long since hunkered down in the hope that it will pass quickly, but this one is going to be an all-nighter.

    The selected portion of this recording corresponds with its streaming schedule on ACRE TV,  beginning at 9:15 pm and ending at 8:00 am. A real-time recollection of the rainy night of May 27-28, 2012, in Crex Meadows Wildlife Refuge in Burnett County, Wisconsin. The recording is presented unedited, unfiltered, and without dynamic processing. The original recording was made in 4 channels, with 2 stereo arrays spaced about 50 feet apart at the boundary between wooded wetland and open meadow. The resulting recording was mixed down to stereo, combining the aural properties of these two habitats.

    2012 Crex Meadows RCO

    Location:
    Near Main Dike Road
    Crex Meadows Wildlife Refuge
    near Grantsburg, Wisconsin
    May 27-28, 2012
    9:15 pm – 8:00 am
    45°51’02.7″N 92°34’52.1″W
    Total run time: 10:45:00
    ©2012 Paul Dickinson

    Episode 3: “80 Truckloads of Sand” July 15-21

    July 18 is World Listening Day. In recognition, I share seven recordings from Cedar Lake, in the town of Union, in Waupaca County, Wisconsin. I have been spending the occasional weekend there since the early 1980s. 

    In choosing locations to record, I prefer remote locations with a minimum of  anthropogenic (human-generated) sounds. Areas with farms, roads, and heavy flight paths are generally ignored in favor of so-called ‘pristine’ wilderness areas. Cedar Lake is surrounded by a mix of full-time and vacation residences, and the surrounding area includes farms, light industry, and wilderness areas. County and state highways are close by. The wildlife soundscape is punctuated by tractors, lawnmowers, and the occasional souped-up pickup truck or jake-braking diesel. All but one of the recordings are unprocessed, in order to emphasize that this is not exactly a ‘pristine’ listening environment, but it is still possible to enjoy listening to the wilder members of this community do what they do. There is an aural give-and-take between the wild, the recreational, and the agricultural. No one sphere dominates the soundscape- but that will soon change.

     

    My choice of Cedar Lake as a location to listen to for World Listening Day was a deliberate one- the town of Union recently approved a sand mine permit that will have 80 trucks per day, 24/7, rolling down roads less than 5 miles away from where these recordings were made. Actual mining will take place up to 16 hours a day, Monday through Friday. The mine will be sited across a county road from Tellock’s Hill Woods State Natural Area “an old-growth northern mesic forest on the north-facing slope of a drumlin.” -Wisconsin DNR website. High-level, low frequency sounds generated by the mine and the trucks carrying away its product will radiate in all directions, for several miles. This will not only affect the quality of life for the human residents of the town, but the wildlife as well. Going forward, the soundscape of the town of Union, Wisconsin will be permanently altered.

    Listener’s note: The lawnmower at the beginning of the program is the loudest sound you will hear. You will want to adjust

    http://www.worldlisteningproject.org/

    3:1:

    CedarLake
    Recreational Mowing and Your Hummingbird Feeder
    Cedar Lake
    Town of Union, Wisconsin
    August 3, 2012
    3:04 – 5:05 pm
    Total run time: 2:00:32

     

    3-2:
    Prior to Rain
    Wildlife Ridge
    Town of Union, Wisconsin
    March 23, 2012
    10:50 – 11:48 pm
    4-channel mixed to stereo
    Total run time: 57:14

     

    3-3:
    4/20 Late Dawn Transition
    Cedar Lake
    Town of Union, Wisconsin
    April 20, 2012
    6:40 – 8:10 am
    Total run time: 1:30:28

     

    Screen Shot 2014-07-13 at 11.49.13 PM (1)
    3-4:
    Veeries and Thunderstorm
    Between Cedar Lake and Whitcomb Creek
    Town of Union, Wisconsin
    June 23, 2013
    8:49 – 10:24 pm
    Total run time: 1:34:30

     

    3-5:
    Leopard, Peeper, Wood, Toad
    Cedar Lake
    Town of Union, Wisconsin
    March 21, 2012
    10:23 – 11:56 pm
    Total run time: 1:22:33

     

    3-6:
    Barred Owl Juvenile and Insects (w/ EQ)
    Cedar Lake
    Town of Union, Wisconsin
    August 3, 2013
    2:37 – 3:52 am
    Total run time: 1:14:56

     

    3-7:
    Equinox Dawn Transition Chorus
    Cedar Lake
    Town of Union, Wisconsin
    March 21, 2012
    4:46 – 6:53 am
    Total run time: 2:06:47

    Episode 4: “Boundaries” Part 1,  July 22-28

    Boundary

    The Boundary Waters Canoe Area Wilderness in northern Minnesota is a major canoe camping destination, and the location that photographer Les Blacklock used as the backdrop for the “Land of Sky Blue Waters” ads for Hamm’s beer in the 1960s. It is also a very rewarding listening environment for those willing to invest the time and effort to paddle in a few miles. I have made many recordings there since the early 2000s.

    4-1: “A Chickadee at the Edge of the Charcoal Forest”

    TS_4-1 Aerial

    Ten months after the Pagami Creek Fire of September 2011 (which burned 100,000 acres), I set up my recording gear at the edge of the burn area.

    This unedited recording has been processed to remove electronic interference in the original.

    Location: Lake 3
    Boundary Waters Canoe Area Wilderness, Minnesota
    N47 54.082 W91 26.035
    8:36-10:12 PM, July 12, 2012
    Duration: 1:36:05

    Navigator: Leif Dickinson

    4-2: “Miles Island Moose and Squorrel”

    TS_4-2 Aerial

    Miles Island is a small island in Seagull Lake, with no campsites. In the early morning hours, one of the residents gets a little chatty. Later, a large ungulate passes through.

    This unedited recording has been mixed down to stereo from a 4 channel original. There is no equalization or other processing.

    Miles Island, Seagull Lake
    Boundary Waters Canoe Area Wilderness, Minnesota
    N48 08.439 W90 55.824
    3:39-8:57 AM, July 9, 2013
    Duration: 5:17:31

    Assistant Recording Engineer: Jacob Dickinson
    Navigator: Leif Dickinson

    ©2012-2013 Paul Dickinson

     

    Episode 5: “Boundaries,” Part 2

    This week’s stream continues with recordings from the Boundary Waters Canoe Area Wilderness.

    5-1: “Song Sparrow and Ravens”

    TS_5-1 photo
    We left our campsite for a day trip over to Jasper Lake. A Song Sparrow spent the morning singing from a tree near our campsite, while a family of Ravens called back and forth to each other. The occasional canoe party paddles nearby.

    This recording was filtered to minimize the low frequency effects of wind noise.

    Seagull Lake
    Boundary Waters Canoe Area Wilderness, Minnesota
    N48° 8’41.83″  W90°55’50.38″
    8:48-11:12 AM, July 8, 2013
    Duration: 2:24:21

    Navigator: Leif Dickinson


    5-2: “Loons, Green Frogs, and Toads”

    TS_5-2 photo
    Late night recording from a bluff over looking three burned islands with plenty of rocks for reflections.

    This unedited recording has a small amount of low frequency filtering.

    Insula Lake
    Boundary Waters Canoe Area Wilderness, Minnesota
    N47 55.814 W91 14.748
    9:49 PM July 10, 2012 – 1:12 AM July 11, 2012
    Duration: 3:22:17

    Navigator: Leif Dickinson

    ©2012-13 Paul Dickinson

    Episode 6: “Hiawatha Forest Evening, Then Morning”

    TS_6_Image

    In the heavily wooded bluff above Ned’s Lake, the trees are home to Hermit, Swainson’s, and Wood Thrushes, as well as Ovenbirds, Northern Flickers, Pileated Woodpeckers, and many more species. Also heard are Loons, Sandhill Cranes, Trumpeter Swans, Green Frogs, and an assortment of small mammals. Most of the rain showers throughout the night have been edited out, as have the most intrusive overflying jets.

    This recording was edited for content and filtered to minimize the low frequency effects of wind and distant traffic noise.

    Ned’s Lake – Big Island Lake Wilderness
    Hiawatha National Forest, Michigan
    N46 13.055 W86 31.360
    6:00 PM-8:00 AM, June 20-21, 2013 (condensed)
    Duration: 7:01:49

    ©2013 Paul Dickinson

    Episode 7: “D Pool: A Calm Morning, After a Windy Night”

    paul dickinson boundaries episode 7

    Seney National Wildlife Refuge was established in 1935 as a refuge and breeding ground for migratory birds and other wildlife. The wild land that today is the refuge has not always appeared so wild. This is a land that was once heavily logged, burned, ditched, drained and cultivated. Despite repeated attempts, the soils and harsh conditions of this country would not provide a hospitable environment for sustained settlement and agriculture. So, nature claimed it once again. What was viewed as a loss by early 20th century entrepreneurs became a huge gain for the wildlife, natural resources and the people of Michigan’s eastern Upper Peninsula. – http://www.fws.gov/refuge/Seney/about.html

    A windy, late spring night gives way to a rather calm morning, before the wind picks up again later. We can hear Wood Frogs, Trumpeter Swans, Wilson’s Snipe, Pied-Billed Grebe, Blue Jays, Red-winged Blackbirds, American Bittern, Sandhill Cranes, Ovenbirds, Common Loons, Red-eyed Vireo, and many more. (If you are an adept birder, I would welcome any other species identifications you can offer).

    I made this recording during the 2011 Midwest Nature Recordists Campout. Many thanks to Sara Hollerich Giles and the staff of the SNWR for their cooperation and support of our activities.

    This unedited recording was filtered to minimize the low frequency effects of wind and logging truck traffic noise.

    D Pool: Morning, After a Windy Night
    D Pool
    Seney National Wildlife Refuge, Michigan
    N46 16.171 W85 59.690
    4:11 AM-10:25 AM, June 4, 2011
    Duration: 6:13:57

    ©2011 Paul Dickinson

    Episode 8: Big Island Revisited 

    TS_8_Big Island Pic

    No, not THAT Big Island. This Big Island lies in the middle of Big Island Lake in the Big Island Lake Wilderness Area of the Hiawatha National Forest in Michigan’s Upper Peninsula. I originally visited Big Island Lake in July of 2006, when early one morning, I recorded this loon takeoff: https://soundcloud.com/paul-dickinson/loon-takeoff
    This July, I visited the same location and discovered a little more of the island’s geography. Deeper into the island, there is an old growth forest interspersed with small patches of wetland. This recording ran from approximately 7:30pm until 9:15 the following morning. The section presented here condenses the time frame from 10:12pm until 6:44am into just over 5 hours.

    This recording was edited for timing and content, and filtered to minimize the low frequency effects of wind and occasional traffic noise. Technical info: 2- Audio-Technica AT3032 omnidirectional condenser microphones in a collapsible partially-baffled medium boundary array; Sound Devices MP-2 preamp; Olympus LS-11 recorder; 16 bit/48khz.

    Big Island Revisited
    Big Island Lake
    Hiawatha National Forest, Michigan
    N46°14’15.17″ W86°32’37.89″
    10:12pm June 15 to 6:44am June 16, 2014 (condensed)
    Duration: 5:03:59
    ©2014 Paul Dickinson

  • These Streams

    ACRE TV is pleased to present:

    These Streams

    July 1 – August 31, 2014

    Before advertisers could sell products on television they had to sell television itself as a medium. These advertisements welcomed us to Televisionland, an alternate reality that keeps on living even when we switch off our sets. In Televisionland, the stars—the celestial constants by which the ancients measured time—are replaced by a broadcast schedule, aligned to the forty­hour work­week. In Televisionland swearing doesn’t happen before 10pm and conflicts are resolved by the top of the hour. Televisionland bridges the gap so that voice and vision transcend space, harnessing the present to overcome the ancient barriers of time and distance.

    For These Streams, our two­-month thematic show, ACRE TV is tackling the medium. Including episodic livestreaming projects by Brett BaloghLindsey French, and Joseph Herring; durational works by Nightmare CityPaul DickinsonChaz Evans, and Brendan Meara; episodic shows by Stacy AsherChris LittleJamie Lee Mohr, and Dao Nguyen; and a daily shorts program featuring Bonnie BeguschDaniel BennettAmanda BowlesSara Condo, Jillian Hansen-Lewis & Alejandro JimenezDan OlsenThe I, Daughter of Kong Center for Research, and Cauleen Smith.

    Addressing the nature of streams, those parallel ever­becoming fantasyscapes, those shared approximations of the just­present, These Streams moves from Televisionland to Livestreamland and back. Think continuity, NOW, distance, crystal balls, trains of thought, video­not­on­demand, and any and all things streaming.

    Poster Design: Sebastian Aguirre

    Full program information HERE

  • Moving Image Reel #1

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    Moving Image Reel #1

    a film and video program featuring work by 2013 ACRE Alumni

    Sarah Berkeley and Regin Igloria, Markus Bowie, Barbara A Diener, Noa Dolberg, Rob Duarte, Tom Friel, GURL DON’T BE DUMB, Jessica Harvey, Aaron Henderson, Jeremiah Jones, Heather MacKenzie, Jesse Malmed, Joshua McGarvey, Christopher Meerdo, Wolfie E. Rawk, Kristin Reeves, Rachel Starbuck, Vincent Tiley, Mandy Cano Villalobos, Jiyoung Yoon

    ACRE_Lab Launch Event & Moving Image Reel #1 Screening:

    Saturday, February 15, 5pm-Mindnight
    Screening starts at 8pm
    Mana Contemporary, 5th Floor
    2233 S Throop St, Chicago, IL

    Moving Image Reel #1 Airing on ACRE TV:

    February 20, 23, and 24th, 2014, 8pm

  • Chicago Contemporary Art Seminar: ACRE TV

    screen-shot-2014-02-17-at-9-41-01-am

    Raven Munsell wrote a little something about our launch. 

    “ACRE TV launched yesterday (Saturday 2/15) at their new space in Mana Contemporary with PLEASE STAND BY, a broadcast of tv-test patterns/color bars  programed by Kera MacKenzie and Andrew Mausert-Mooney.” 

    Read the full text here.

     

  • Please Stand By

    Please Stand By

    still from Andrew Mausert-Mooney

    PLEASE STAND BY (February 15th, 2014 5pm – June 30th, 2014 11:59pm) is a continuous broadcast of test patterns created for the ACRE TV network by the following artists:

    Jeffrey Michael Austin, Tony Balko, Jon Chambers, Chaz Evans, Kristina Felix, Lori Felker, Lindsey French, Mike Gibisser, Cameron Gibson, Daniel Giles, Allison Leigh Holt, Mark Kent, Chris Little, Kera MacKenzie, Jesse Malmed, Andrew Mausert-Mooney, Brendan Meara, Dan Paz, Haynes Riley, Kyle Schlie, Megan Schvaneveldt, Fern Silva, Cauleen Smith, Vincent Tiley, Eric Watts