Category: RE/NIGHT/LIVE/MARE

  • “Snake-Foot” Lili White

    “Snake-Foot” Lili White

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    SNAKE-FOOT

    Lili White
    5:20 min, 2015
    color, silent

    Airing Nov 15-21 and Dec 13-19, 2016
    As part of the LIVE program

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    “Dedicated to my Mother who has moved to the other side.

    One day, in real-life, I found an “S” had appeared on my toe.

    I “performed” in Nature as a meditation on this event, remembering that the Egyptians have a sign that combines a snake and foot, which I don’t know the meaning of.

    SNAKE-FOOT was built using a kind of dreamy stream of consciousness approach to the edit. Its techniques and framed shots are intended to convey the “dream-body”. Dreams act as a transforming flight that allows one to see more deeply into that which matters most — knowledge gained thru them can transform our life…

    I used many taped experiences of snakes that I accumulated over the years: one crossing a road, another asleep on top of snake petro-glyphs in Alabama, one caged as a “pet”, a rattlesnake in the zoo. One was found on a staircase, which led to the idea of a descent, as the snake does when it retires into its lair; and so a “Persephone descent into Underworld” world occurs, as the Underworld is the place that is also considered the realm of dreams, ruled by Neptune that also rules over illusion, the cinema, film itself, and water — all these are included here in scenes where the sleeping person rolls over.

    SNAKE-FOOT is the first of a trilogy that includes WATER WORKS and CUMIA.” -LW

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    liliwhite.com

  • “The Gut” Chanhee Choi

    “The Gut” Chanhee Choi

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    The Gut

    Chanhee Choi

    Airing Nov 15-21 and Dec 13-19, 2016
    As part of the LIVE program

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    chanheechoi.com

  • “WITH AN HELMET” Francesca Fini

    “WITH AN HELMET” Francesca Fini

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    WITH AN HELMET

    live art piece by Francesca Fini

    Airing Nov 15-21 and Dec 13-19, 2016
    As part of the LIVE program

    The protagonists of the performance are offered naked and vulnerable to the audience. They wear working helmets as an ironic transposition of the legendary helmet of Scipio that, in this case, relates the rhetoric of the Roman glorious past, of which there remains not even the dust, with the unheard sufferings of the true heroes of everyday life in this country. They are the ones who live “with an helmet” and sometimes die with it, in factories and dockyards, while what is left of their stories is hastily hidden under the carpet of this diseased country. On their arms I place electrodes that cause strong involuntary muscle contractions forcing the workers to a grotesque dance that makes the flag moving on its own, to the beat of the national anthem. What is left in a dying country is just the mechanical and grotesque rhetoric of the national anthem and the respect demanded but devoid of any genuine feeling. A collective weariness and resignation that turns into hysteria when the puppeteers also discover their wires and the simple act of drinking a glass of wine becomes a fight against a greater, dark and invincible power.

    The performance is one of the episodes of a larger project, open and traveling, that will grow with guerrilla performing throughout 2013. Learn more: withanhelmet.blogspot.it

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    Francesca Fini is an interdisciplinary artist mainly focused on new media, experimental cinema and performance art. She lives and works in Rome. The focus of her work is always the body and its own narrative power, but inserted in a sort of exuberant “multimedia pot” where live videoart pieces are mixed with generative audio, lo-fi technologies and homemade interaction design devices, with handicraft masks, bizarre costumes and feminist steam-punk props popping out everywhere.

    Among the most important art events in which she participated in the last few years, we would mention the 2011 WRO Biennale in Poland, the River-to-River Festival in New York, the ADD Digital Art Festival in Rome, Laguna International Art Prize in Venice, the Venice International Performance Art Week, FILE Festival in Brasil, the Berlin Directors Lounge, Ikono Tv Festival and the Rapid Pulse Performance Art Festival in Chicago. In 2014 she was selected for the Margaret Guthman Musical Instrument Competition, organized by the Georgia Institute of Technology. She was also invited in Kolkata, where she lectured and performed at the Satyajit Ray Film & Television Institute. In 2014 she participated in the International Watermill Center Summer Program. In 2015 she directed in Rome the firts edition of HI> DANCE Festival, dedicated to contemporary dance and technology. In the same year she won the Prix Université Blaise Pascal des étudiants and the Prize Conseil Général du Puy-de-Dome during Videoformes Festival in Clermont-Ferrand. She is currently working on a new experimental feature film with the collaboration of Cinecittà Istituto Luce.

    francescafini.com

  • “love and peaceful morning and killing” Usumurasaki Kana

    “love and peaceful morning and killing” Usumurasaki Kana

    usumurasaki

    love and peaceful morning and killing

    Usumurasaki Kana

    Paint and performance about my identity

    Airing Nov 15-21 and Dec 13-19, 2016
    As part of the LIVE program

    salon.io/usumurasaki

  • “Omaha Stakes: The Production Worker” David Ian Bellows/Griess

    “Omaha Stakes: The Production Worker” David Ian Bellows/Griess

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    Omaha Stakes: The Production Worker

    David Ian Bellows/Griess

    tv in the parking lot
    2:39 min, 2016
    production worker: David Ian Bellows/Griess
    camera: Elizabeth Lamb
    driver: Neil Griess

    omaha stakes
    11:31 min, 2016
    VHS to digital transfer
    production worker: David Ian Bellows/Griess
    camera: David Ian Bellows/Griess
    audio collage: Neil Griess
    video sample: MEATTRUCK, 2015, 01:45:44, Andrew Braddock, David Ian Bellows/Griess, Elizabeth lamb

    tv in the garage
    5:53 min, 2016
    VHS to digital transfer
    production worker: David Ian Bellows/Griess
    camera: David Ian Bellows/Griess

    Videos courtesy of HUMAN TRASH DUMP, a video label.

    Airing Nov 15-21 and Dec 13-19, 2016
    As part of the LIVE program

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    David Ian Bellows/Griess (born 1984 – Omaha, NE) is a sculptor, video maker, and unretired performance artist.

    now.bt.co/bundles/omahastakestheproductionworker

  • “Allon Allou” Jen Clay

    “Allon Allou” Jen Clay

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    Allon Allou

    Jen Clay

    Allon Allou: Mothers and Fathers, 9 min
    Allon Allou: Schools, 11:20 min
    Allon Allou: Friends, 5:19 min

    Airing Nov 15-21 and Dec 13-19, 2016
    As part of the LIVE program

    Allon Allou: Hospitals, 4:38 min

    Airing Nov 22-28 and Dec 20-31, 2016
    As part of the MARE program

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    Allon Allou is a web based series made up of episodes that utilize the structure of children’s educational television programs such as Sesame Street and Yo Gabba Gabba. Allon and allou mean other and another respectively in Greek. This project includes DIY assemblage, wearable and performative sculptures, and stop motion animation. The themes of the episodes are mothers and fathers, friends, hospitals, homes, schools. Allon Allou allude to possibilities of dysfunction and trauma through the imaginary depiction of broken systems that lie behind smilingly healthy places and people. In the video series the inner parts of the buildings, people and characters are exposed as way to depict how the past environments have constructed their current selves. Erwin W. Straus, M.D Ph.D. explains the experiences of the other in the Phenomenology of Hallucinations, with the use of the term allon. Straus wrote “ Sickness estranges from our body; then the body is turned into an object, a thing no longer to be trusted. Stricken by dis-ease, we discover the power of the allon in ourselves.”  

    jenlynnclay.com

  • “AS WITHOUT SO WITHIN” Manuela De Laborde

    “AS WITHOUT SO WITHIN” Manuela De Laborde

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    AS WITHOUT SO WITHIN

    Manuela De Laborde
    24:38 min, 2016
    16mm & 35mm, color, sound

    Airing Nov 8-14 and Dec 6-12, 2016
    As part of the NIGHT program

    Conceptually informed by the artist’s active filmgoing, AS WITHOUT SO WITHIN takes as its point of departure prop sculptures which are transformed both through hybrid techniques of framing, lighting, and superimposition and by being projected in an enclosed, silent architectural space. AS WITHOUT explores the possibility that the surfaces of things are entities worthy of their own depth for and in themselves, demanding to be seen and confronted as they exist. 

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    Manuela de Laborde is from Mexico City and studied Film & Video (MFA) at the California Institute of the Arts and received an Art BA at Edinburgh College of Art. In 2012 she exhibited her solo show, Maquettes, in Generator Projects, Dundee; in 2013 screened, Sun, at London MexFest with the live score of Camila Fuchs; her short films Viveros, The exponential Nature of Images and Le Visible et L’Invisible where shown at Antimatter FF, Jihlava IDFF and Milwaukee UFF; and this year her thesis film, As Without So Within, is showing at Toronto International Film Festival, Winnipeg WNDX (Best International Short), and 25fps Festival in Zagreb (Grand Prix), FICM in Morelia, and LightField in San Francisco.

    manueladelaborde.com 

  • “hippopotamus” Mark Kent

    “hippopotamus” Mark Kent

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    hippopotamus

    Mark Kent

    Airing Nov 8-14 and Dec 6-12, 2016
    As part of the NIGHT program

    a computer generated world were an astronaut wanders around
    not knowing that if he is himself a simulation of a lost world

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    vimeo

  • “I’LL STAY AWAKE” Lauren Kimball-Brown & Julia Zinn

    “I’LL STAY AWAKE” Lauren Kimball-Brown & Julia Zinn

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    I’LL STAY AWAKE

    Lauren Kimball-Brown & Julia Zinn
    15 min, 2016

    Airing Nov 8-14 and Dec 6-12, 2016
    As part of the NIGHT program

    I’LL STAY AWAKE uses rediscovered audio and film from the creators’ childhoods and college years to construct a fictionalized horror narrative. As night falls, tape recorder games and scary stories at a slumber party give way to a Ouija session, connections with the beyond, voices and visions, and a strange journey down to the basement.

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    vimeo.com/nifefite
    vimeo.com/juliazinn

  • “Early Trial” DSK (Juan Lesta & Belen Montero)

    “Early Trial” DSK (Juan Lesta & Belen Montero)

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    Early Trial (El Juicio Adelantado)

    DSK (Juan Lesta & Belén Montero)
    22 min, 2015
    Master digital HD 1080 25p
    16:9
    Sound: ST
    Language: Spanish with English subtitles

    Airing Nov 8-14 and Dec 6-12, 2016
    As part of the NIGHT program

    A man, a place, one decision, the story. One poet and his poetry. 

    A Víctor M Mozo autobiography’s reflection coded as a videopoetry, through the four seasons. When he began, how he changed along the time and the events, good decisions, concerns… The film shows land linked with his family and his past.

    direction DSK (Belén Montero & Juan Lesta)
    poetry and script: Víctor Mozo
    adaptation script and production: Belén Montero
    image: Juan Lesta
    edition: Belén Montero
    image postproduction, animation: Juan Lesta
    original music: David Rivas Domínguez
    sound postproduction: Son do Tagalem

    starring:
    Víctor Mozo as Víctor Mozo
    Helena Boemer Martín
    Luis Boemer Martín
    Pablo Martín Rodríguez
    Diego García Castro
    María García Castro
    Ángel Corral Arroyo
    Ainhoa González Pedrero
    Sara Mozo Blanco 

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    ARTISTS (Filmmakers):
    Direction:  DSK (Belén Montero and Juan Lesta)
    artist’s contact: info@esferobite.com
    artists’s web: www.esferobite.com/laboratorio