Category: RE

3 Women

Isabelle McGuire

Airing Nov 1-7 and Nov 29 – Dec 5, 2016
As part of the RE program

I gave them my picture… *swoon* They’re an artist…. *swoon*

I paid them to play with me, Hell Resident, to play with my pictures… to write about my body. I found them online, Hell Resident. We didn’t talk that much. I paid him to edit pics of me and write stories about me. I am reciting two of these stories in “3 Women”.

“SKKKKKKRAAATTCHHH” Split right down the middle!

“PLUGGEE PUMMMMPLLEEE” “SMMEEESSHHH” smooshed right into a ball!

“Roll that ball into the hole!”

*Roll it into a hole*

Flex, Stretch, Pull

<->

Mold this Bod!! It doesn’t fit me anyway!

vimeo

Superficie des Continents (The Area of the Continents)

Yvette Granata
5:14 min

Airing Nov 1-7 and Nov 29 – Dec 5, 2016
As part of the RE program

Superficie des Continents (The Area of the Continents) is an archival-noise music film that explores various concepts of the surface of the earth, whether synthetic, natural, in extreme close-up or from a very far distance. Featuring the synth-drone feedback loop music of artist-musician Peter Edwards, the film oscillates between nature and human, surface and substance, outer space and plant life, while itself creating a feedback back loop between archival footage and new syntheses of it. The film was created with archival footage from educational and science film archives of the Eye Film Institute Archive, the National Film Archives of the Netherlands. 

yvettegranata.com
Eye Film Institute
Eye Film Archives Collection

Bleach Formula

Heejin Jang
6:54 min, 2014

Airing Nov 1-7 and Nov 29 – Dec 5, 2016
As part of the RE program

1-800-GET-LOST consists of four experimental video remixes (1-800-FICTION, Bleach Formula, Heikki Laaksonen’s Silent Syllables, and Pink Trilogy). The project addresses the moment when the countless struggle to establish a sense of connectedness eventually conjure up an endless nightmare that overwhelms the physicality of life.

By reediting and overlaying language, pop-culture phenomenon, smartphone clips, and found footages from the Internet, the convolution of layered moments will demonstrate the itineraries to the nature of chaos, or the views of induced panic. 

heejinjang.com

What We Make of Our MisFortunes

Arthur Tuoto
60 min, 2014

Airing Nov 1-7 and Nov 29 – Dec 5, 2016
As part of the RE program

From a found footage material, the film tells the fable of the Monsters, describing the human condition from a tragic and desolate point of view. 

arthurtuoto.com

Proposal For Actions To Be Performed With My Ashes Once I have Deceased

Richard Haley

Airing Nov 1-7 and Nov 29 – Dec 5, 2016
As part of the RE program

Pre-Enactment of Rubbing a Hole in My Corpse, Variations on the Shadow My Decaying Corpse Will Cast, and Proposal For Actions To Be Performed With My Ashes Once I have Deceased are animations and a video from my series of work titled Rehearsals. These particular works rehearse performances that my body will enact once I have died, extending the hand and presence of the artist into the realm of post-breath. In addition to the videos, myself and my students will give a live play by play analysis reviewing the rehearsals.

richardhaley.com

the waiting hotel

Mark Kent

Airing Nov 1-7 and Nov 29 – Dec 5, 2016
As part of the RE program

an old man talks about contacting the dead and the kind of problems you can encounter
an empty hotel were the dead wait before the afterlife

vimeo

Maps to the In-Between

Katya Yakubov
8 min 23 sec, 2015
HD video

Airing Nov 1-7 and Nov 29 – Dec 5, 2016
As part of the RE program

A mining of a digital space finds characters and forms in dialogue, and a playful hint of narrative begins to emerge in this twice-appropriated landscape. Eventually, the great Apparition lets it all fall down.

paperfilm.org
vimeo

Fly high or I fly above you

Paul Wiersbinski
Berlin, 2016

Airing Nov 1-7 and Nov 29 – Dec 5, 2016
As part of the RE program

Since the age of alchemy there is a constant pattern in history: Monsters appear in between the gaps of the social world and the realm of nature. It is this abyss, which yields them. In our time this divide is our relationship to the apparatuses we constructed and which autonomy we cannot fully grasp anymore.

A tale of Kate and her revenge or two drones, who carry a sculpture and a costume. A showcase of a choreography for a flog of pigs or text on the ceiling. Talk of destruction and emptiness or the future.

CREDITS
produced within a residency at Künstlerdorf Schöppingen e.V.
Hanna Hildebrand (Camera / Costumes)
Christian Hagerman (Camera / Drone Operator)
Wieland Schönfelder (Speaker / 3D Effects)
Maxi Mira Gallbrecht (Speaker)
Sabine Akiko Ahrendt (Violine)
Yoshiko Klein (Flute)
Bauer Hillmann (Location)

Bennie and the Heads

Lauren Valley

Airing Nov 1-7 and Nov 29 – Dec 5, 2016
As part of the RE program

Bennie and the Heads is a visual exploration into the world of performative robotics. Featuring a cast of comic yet unsetting cartoon heads, the video attempts to evaluate and subvert the idea that all machines must have function and purpose.

laurenvalley.com

The Gedelovskys

Antonio Antón
11 min, 2014
Original Format: Super 8
Language: Spanish
Subtitles: English

Airing Nov 1-7 and Nov 29 – Dec 5, 2016
As part of the RE program

A home recordings illustrate my family history, which it’s nothing more than an amount of rubbish I never thought launch out. The family as a cell, members of the “unity” as characters through the word contour descriptions.

CREDITS
Direction: Antonio Antón
Sound Edit & Mix: Antuán Duanel
Edit: Antonio Antón
Color: Pablo Moya / Michel Rey
Best Boy: Alex Pachón
© 2014, Antonio Antón