Sun Burn (Screen Saver) is comprised of 365 images from my project Suns from Flickr complied into an animation, and then converted into a screensaver. As a screensaver, the implied danger of burning a
“Sun Burn (Screen Saver)” Penelope Umbrico
WERE THE EYE NOT SUNLIKE PROGRAM SCHEDULE
We are pleased to offer a lamp that turns on and off when you clap, when you clap your eyes. A lamp that lets you see in the dark without disturbing the dark. A
Were the Eye Not Sunlike
Collin Bradford, Eclipsing the Sun, 2014. Video stills. ACRE TV is pleased to present: Were the Eye Not Sunlike Curated by Third Object ACRE TV Online at ACRETV.org April 1-May 31, 2015 Fernwey Gallery 916 N Damen Ave April 3-April 26,
Artforum: Jaime Davidovich
Jaime Davidovich, Outreach: The Changing Role of the Art Museum, 1978. Installation view. An Artforum review by Jacob Proctor of Threewalls’ show Outreach: Jaime Davidovich 1974-1984, which features Direct Object/Direct Action streaming in the gallery, described ACRE TV’s
Once More For The Very First Time // ACRE TV at Comfort Station
Toadstool, Joseph Herring and Amy Ruddick Rebroadcast, rerun, replay, reflect. The repeat is a TV standard; an opportunity for viewers to catch up on a show they missed or indulge in a show they love again
Chicago Tribune: The tape artist: Jaime Davidovich at Threewalls
Jaime Davidovich, as his alter-ego Dr. Videovich. A Chicago Tribune review by art critic Lori Waxman of Threewalls’ show Outreach: Jaime Davidovich 1974-1984, which features Direct Object/Direct Action streaming in the gallery, described ACRE TV as: “a terrific local
As Witnessed
Bryan Volta, Disembodied Students from Deborah Stratman’s Documentary Media course at UIC and Jaxon Pallas’ Independent Study Projects course at the Associated Colleges of the Midwest created works for broadcast on ACRE TV. This program
“Video Drift” Amanda Gutierrez
Video Dérive (drift), is a collective project that activates the subjective experience of a walk within an urban context, documenting several group journeys into one single time line and digital map. The Drift will
“The Indian Boundary Line” Thomas Comerford
The Indian Boundary Line, 2010, 16mm/8mm/super-8mm on digital betacam, color. 41 mins. From 2001-2010, Chicago musician and filmmaker Thomas Comerford made a series of quietly-observed films that contemplate the entwined social, political, and environmental histories
“Dead (air)” Danny Giles
As a direct action, the die-in has appeared in public spaces to represent unrepresentable loss. In recent months, mass numbers of variously raced bodies have assembled to mimic the death of black men killed